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Schein Allein

Researching the implementation of Trompe-L'œil in furniture design.

Paul KrĂĽger

Schein Allein explores the use of trompe-l’œil techniques in product design. By imitating materials with this technique, a layered depth of meaning is created, which can unlock new possibilities of expression for product design.

Foam and Non-Foam

The use of “non-foam” as a furniture front allows foam to step beyond its typical, concealed context. Its absurd recontextualization as a visible surface invites the question: Why foam? and leaves the viewer considering: Why not? This moment of disruption draws attention to its non-materiality. Foam becomes a symbol of the excessive yet often invisible consumption of plastic in contemporary life. Its raw, unprocessed appearance in a functional object challenges the norms of material use and surfaces as a critique of plastic’s omnipresence. Trompe-l’œil, by creating distance between material and perception, provides a way to articulate this critique through design.

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About Paul KrĂĽger

Paul KrĂĽger explores the intersections of art and design through a practice that spans both design and curation. Driven by a deep interest in theoretical research, he seeks to expand the boundaries of product design and investigate how objects can embody and convey deeper meaning.

Paul KrĂĽger

Paul KrĂĽger

Paul KrĂĽger

Paul KrĂĽger